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Essay on the impact of western culture on India

But it is possible to defend the right to obscene and racist speech without promoting or sponsoring the content of that speech. It is possible to approve of sacrilege without endorsing racism. And it is possible to consider Islamophobia immoral without wishing it illegal. Moments of grief neither rob us of our complexity nor absolve us of the responsibility of making distinctions. The A.C.L.U. got it right in defending a neo-Nazi group that, in 1978, sought to march through Skokie, Illinois. The extreme offensiveness of the marchers, absent a particular threat of violence, was not and should not be illegal. But no sensible person takes a defense of those First Amendment rights as a defense of Nazi beliefs. The Charlie Hebdo cartoonists were not mere gadflies, not simple martyrs to the right to offend: they were ideologues. Just because one condemns their brutal murders doesn’t mean one must condone their ideology.

The Influence Of The Western Culture On The Essays

A person or family hosts the ceremony, and accompanying community meal, usually as a way of giving thanks for blessings that have come to them during the past year. People who attend the ceremony but do not participate in the singing need not sit silently during the entire recital, but may eat and quietly visit while the singing goes on. Adlai DePano of Metairie, who participates each year as a singer in the pasion, describes the event:

Importance of western culture essay papers ..

With strong personal opinions and beliefs, it is not surprising that no progress has been made in this argument.

In addition to families and neighborhoods, Filipinos also gather in social, professional, and charitable organizations. Many of these raise funds to assist new arrivals from the Philippines while they settle in Louisiana, to support victims of disasters in the Philippines or in Louisiana, to support favorite charities unrelated to cultural groups, or to support ongoing community activities. One of the earliest important social clubs, with a clubhouse in the Faubourg Marigny area in New Orleans, was the Filipino-American Goodwill Society. According to Rhonda Richoux, new arrivals from the Philippines were quickly welcomed into the local Filipino clubs. The clubs celebrated holidays and maintained customs from the home country, and also embraced local customs. This helped immigrants to learn about new customs by participating in them with fellow Filipinos. One example is Mardi Gras; individual Filipino clubs held their own Mardi Gras balls and elected their own carnival courts. Rhonda Richoux describes the activities of the Filipino-American Goodwill Society, nicknamed "The Flip Club" by its teenaged members, to which her family belonged:

Growing up in New Orleans, I didn't feel out of place with my Cajun name, Richoux, and my brown skin, courtesy of my Filipino grandparents. At home, my Cajun and Filipino American relatives exchanged recipes and family stories-for example that my Filipino ancestor Felipe Madriaga worked in the Filipino fishing villages of St. Malo and Manila Village and, with his Irish wife Brigett Nugent, ran a small restaurant at one time. With so many diverse cultures, each neighborhood seemed like the center of the universe to its inhabitants. It was certainly the center of my universe, because just about everybody I knew and loved lived in the Faubourg Marigny, right outside of the French Quarter.

Eastern vs western culture essays - …

Teju Cole is the author of four books, including the novel “” and the essay collection “.” His newest book is “.”

Western societies are not, even now, the paradise of skepticism and rationalism that they believe themselves to be. The West is a variegated space, in which both freedom of thought and tightly regulated speech exist, and in which disavowals of deadly violence happen at the same time as clandestine torture. But, at moments when Western societies consider themselves under attack, the discourse is quickly dominated by an ahistorical fantasy of long-suffering serenity and fortitude in the face of provocation. Yet European and American history are so strongly marked by efforts to control speech that the persecution of rebellious thought must be considered among the foundational buttresses of these societies. Witch burnings, heresy trials, and the untiring work of the Inquisition shaped Europe, and these ideas extended into American history and took on American modes, from the breaking of slaves to the censuring of critics of Operation Iraqi Freedom.

This week’s events took place against the backdrop of France’s ugly colonial history, its sizable Muslim population, and the suppression, in the name of secularism, of some Islamic cultural expressions, such as the hijab. Blacks have hardly had it easier in Charlie Hebdo: one of the magazine’s cartoons depicts the Minister of Justice Christiane Taubira, who is of Guianese origin, as a monkey (naturally, the defense is that a violently racist image was being used to satirize racism); another portrays Obama with the black-Sambo imagery familiar from Jim Crow-era illustrations.

Bonus, Rick. Locating Filipino Americans: Ethinicity & the Cultural Politics of Space. Philidelphia: Temple University Press, 2000.
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Greek Influence on Western Culture

All Filipinos in Louisiana speak English and are familiar with American popular culture, but there are several factors that help Filipinos to remain connected to the islands and to their culture. Many Filipinos remain in close contact with friends and family members who live in the Philippines, and visit regularly. Children, even those who do not become fluent in Tagalog, at least learn some traditional songs and expressions, and pick up some of the language if their families visit the islands. The current popularity of traditional-pop fusion and traditional dance has young people interested in learning from their elders. The large number of Filipino organizations in Louisiana, which support Filipino enterprises in the United States and the Philippines, gives residents a variety of ways in which to be involved with other Filipinos and with causes of importance to the larger community. Like all of the Filipinos interviewed for this essay, Hermie Urcia expressed thankfulness to all of those individuals (more than could be named in this essay) who spend their available time organizing Filipino events and sharing the culture:

Effect Of Western Culture On Indian Youth Essay …

The technique is as follows: two sections of sturdy but pliable bamboo, about 8 to10 feet in length, are placed parallel to each other on the ground. At each end, a person who has good arm strength and understands the dance sits cross-legged on the ground holding the ends of the two poles. The poles are then struck together in time to the music. Two dancers stand to one side of the poles. After a brief musical interlude, during which the dancers become familiar with the beat of the music, the female dancer gracefully gathers, in one hand, enough of her balintawak or patadiong skirt to allow her feet room to maneuver, and the man, dressed in the traditional barong tagalong, places his hand on his waist. They hold these hand positions during the dance. The dancers may perform a waltz step, as a sort of salute to their partner, then resume their starting places alongside the poles.

Non Western Culture - Term Paper

In interviews, Filipinos stress that theirs is not a closed community, and that Filipinos in Louisiana welcome and value their friendships with non-Filipinos. Gatherings such as Independence Day celebrations, the annual Filipiana gala, and even Filipino religious observations all welcome respectful non-Filipino guests. Sometimes the interest of an outsider, such as an interviewer or festivalgoer, can offer a welcome opportunity to proudly explain Filipino culture and history. The most valued traditional gatherings, though, are those that include active Filipino community members and new arrivals from the Philippines. These occasions allow Louisiana Filipinos to welcome new arrivals, grow their community, and keep in closer touch with their homeland. Hermie Urcia reflects on his community in Louisiana:

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