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“The Oresteia.” Aeschylus: The Oresteia.
The volume opens with a brief introduction by Rodica Diaconescu-Blumenfeld examining Maraini's works and their critical neglect, followed by an essay by Maraini herself. "Reflections on the Logical and Illogical Bodies of My Sexual Compatriots," an expanded version of the introduction to Maraini's 1987 collection of essays on women in Italian society, discusses the critical reception of her works and those of other female authors. It also addresses the relationship between writing and [End Page 515] gender, asserting that "one writes with the body," hence linking its theme to the volume's title.
The essays in the following section treat issues of language and representation in the wider context of genre studies. Ada Testaferri examines how Maraini's 1993 detective novel subverts the tenets of detective fiction to create a feminist text criticizing violence against women. In his article on the 1974 poetry collection , Corrado Federici argues that the gendered spaces within Maraini's poetry create a "collaborative and compassionate mentality" between the sexes. Elisabetta Properzi Nelsen reads Maraini's early novels--texts that mirror critical moments in Italian feminism--through the lenses of French feminist theory on .
This is especially true in Aeschylus's trilogy the Oresteia.
Goldhill, Simon. Language, Sexuality, Narrative: The Oresteia. Cambridge: Cambridge University Press, 1984. [Greek language; stylistics; semiotics; Oresteia as study example]
184 990 ESSAYS, term and research papers available for UNLIMITED accessSparkNotes: The Libation Bearers: Study Questions and Suggested Essay Suggested essay topics and study questions for Aeschylus's The Libation Bearers.
This essay examines that flaw and the critical perspective on it.
Aeschylus. The Oresteia: A New Translation for the Theater by David Grene and Wendy Doniger O'Flaherty. With Introductions by David Grene, Wendy Doniger O'Flaherty, and Nicholas Rudall. Chicago: University of Chicago, 1989.
-------. The Oresteia. Ed. and trans. by Michael Ewans. Everyman. London: J. M. Dent, 1995.[good intro on how Aeschylus changed old myths; masculinized Clytemnestra, so matricide and gender conflict at center of plot; not an allegory of law coming to Athens; Aeschylus. knew law could not solve such problems; rather play a "paradigm of patterns of human conduct"; Lloyd-Jones agrees ([xxxi)]
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Critical essays on the oresteia - Bliss
In the trilogy The Oresteia, the Akhaians evolve from an older, more primitive autocratic form of justice, to a new concept of civil justice devised by Athena.
The Cycle of Vengeance in Aeschylus’s Oresteia Essay
In Aeschylus' The Oresteia and John Milton's Paradise Lost, human civilization is viewed as an imperfect balance of opposites which helps combat man's tendencies toward barbarism and misogyny....
Oresteia Essays - The Cycle of Vengeance in Aeschylus’s Oresteia
Whallon, William. Problem and Spectacle: Studies in the Oresteia. Heidelberg: 1980. [male as female conventions in Aeschylus and Shakespeare]
Oresteia the furies analysis essay - …
In this essay I will look at how the polis examines itself in terms of gender by focusing on the Eumenides' exploration of the myth of matriarchy, issues of the conflict between oikos and polis and the use of speech within the polis....
the orestes | Download eBook PDF/EPUB
Both Aeschylus, through "The Oresteia Trilogy," and Sophocles, through "Electra," attempt to show the Athenians that revenge is a just act that at times must have no limits on its reach....
The Eumenides The Oresteia is a trilogy of Greek tragedies written ..
Rosenmeyer, Thomas G. The Art of Aeschylus. Berkeley: University of California Press, 1982. [on character, fate & gods, guilt and choice; intelligent, thorough discussion of Oresteia]
beginning with Aeschylus's The Oresteia
Rose, Peter W. Sons of the Gods, Children of Earth: Ideology and Literary Form in Ancient Greece. Ithaca, New York: Cornell University Press, 1992. [on social changes in Athens leading to the expansion of the folk dionysian festival into a major event of the new democracy; Oresteia as anti-aristocratic, reflecting political changes in Athens; thus, a genuine "progress" reflected in the trilogy]
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